Oppression, according to Brazilian theater director and political activist Augusto Boal, happens when one person is dominated by the monologue of another and has no opportunities to reply, dialogue, or interfere in the change of an event.
Theater artist Anne Veal writes about the creative process of writing and producing La Rinascita Theatre's new adaptation of Oresteia, which opens February 10th, 2010 at the Capital Hill Arts Workshop.
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.
loose harvest
In another life, I was edible
flowers. I wore a fitted baby tee
that said tubular. It came to define
me. Fingerling sounds dirty—name of a...
Eulogyafter a song by Tool
If I can’t cry for you, how can I cryfor myself? Someday, they’ll find you,lightning burned tongue, wings long pawned,liver...
Preserves
I have an urge to preservetoday, boil the remaining fruitsto their sticky sugars, remove
the pits and seeds, smash fleshadd pectin and lemon juice, pourand...