A few years ago I was asked by a non-profit organization to dance Isadora Duncan's Marseillaise at one of their events. The problem was that The Marseillaise is a lost choreography! There are no pictures or video from performance.
It seems that most teachers tell you what you need to know. But do we all need the same thing? Sure, you are more marketable with certain strengths. Do we all have the same best road toward those strengths?
Roudolf Kharatian discusses the source and core of Ballet as an art form, including how the physical and the spiritual combine in training and performance. Reprinted from Bourgeon Vol. 1 #1, July 2005.
In a cabaret I am myself. There is the dangerous expectation of success of a joke, a note, or a dance, and the reality that you are naked before the audience, and have given them the right to judge the inner most parts of your being.