Method to the Madness: Weighing in on Hip Hop Technique by Aysha Upchurch

"Hip Hop is not just a trend or fad, or young people behaving badly. It is a cultural product of 1970’s urban history. It is not something that started in a studio or under a microscope. Hip Hop began as a counter culture. "

Seeing Red: A review of Sarah Kaufman’s review of Guangdong

Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.

Washington Ballet’s Program at THEARC by Katrina Toews

Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.

Gender in Dance Leadership by Heather Risley

Commissioned by Bourgeon, Heather Risley reports on Dance USA's national survey of Gender in Dance Leadership, exploring local expressions and influences on this national trend.

The DC Cowboys by Kevin Platte

The founder and Artistic Director of the D.C. Cowboys writes about his work with the company, their mission, and their plans.