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Attestation by Helen Ward

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I do not remember where
The small town detective
Sat down with me
To take my statement

These are the kinds of memories
Our brains just can’t hold on to
Though, I do remember his eyes
His sidelong glances
The kind that
Every teenage girl is accustomed to
He doesn’t want to be here

But it’s not my fault
I didn’t call the police
This wasn’t my idea
I didn’t want any of this 

But…
I didn’t want that either
And my breath catches in my throat
Like a moth in a net
Fragile
And fucking terrified
As a wave of memory
Crashes over my body
Unwelcome
Like his hands
Like his hunger

He asks me
How old were you
And i know what he’s really asking
Fifteen

I’ve been told
Fifteen year olds cannot consent
Not with someone twice their age.
What does a fifteen year old
Have to offer a thirty year old?

Statutory rape
That word was sacrilege
To me for so long
He made sure of it
It rolled off his lips like a curse.
His particular flavor of blasphemy

Even now
Sitting here with this cop
Reaching that conclusion
Is like trying to see through a thick haze

It’s remarkable
What dexterous hands can do
With a young, malleable mind

Statutory rape
But this time
The times he’s asking about
The first time
It was not
There was nothing statutory about it

So i try to tell him
I try to describe what it feels like
To try to escape your own body
Like an animal in a cage
Try’s to gnaw off their own leg

How the body is unwilling
How it seizes up
Clenches like a vice
How when faced with something
Immovable
Impenetrable
He searches
Until he finds something
More yielding

Did you scream
He interrupts me
Did you fight?
Why did you go with him?
Don’t you love me?

Those last words are not his own
But another’s
I hear them all the same
And just like before
I don’t fight
I just cry
Tears sliding silently down my cheeks
Small, transient monuments
To this thing
My life has become

He did not write rape on his report
So i did not write it in my brain

It’s been twelve years
But i think
My pen is finally ready

Helen Ward is a waitress living in Fuquay-Varina, NC.  She lives with her husband and two children and enjoys reading and writing poems and short stories in her free time.


Image: “When the Smoke Clears” by Jill Malouf – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=81851858

Three Poems by Ryan Quinn Flanagan

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Blonde Hair Hides as much as Killed Stories

No one comes over and you imagine yourself some squeaky clean museum
with the floors waxed nightly out of their less than womanly Italian moustaches,
blonde hair hides as much as killed stories in the “national interest,”
I am not a political conformist so much as an unusually flexible roadblock
drunk on beer and tiny bar top rings of sweating Nietzsche
that fall for a woman like plunging to certain death –
the sky is there so you can throw your last good shoulder out
thinking about the gods
slow dance aging hips back into forgotten tenderness
sharing a bathroom like an impeccable name with the seat down
the hyphen there so nothing is final
      (drinking with friends is all about surrendering arguments
      faster than friends)
snow globe shook, the epileptic swallows his tongue instead of his pride,
all the desks pushed out of the way like competing love interests,
rangy speed bump measles over the tiny human body;
a ventilator, scrub-panicked hallways in comfortable 12-hour sneakers,
the airspace closed and the marriage open –
crushed garlic and insurrection,
so many coy to each pond that some part of you
starts to think about population control
and how mountains never once try to climb people
who can’t stop mounting one another.

Kafka & Bedbugs

It’s funny how talking about bedbugs
makes me think about Kafka being late for work,
how his employer will be angry and dock his pay
and how a man who went to sleep a man and woke
up a bug has little recourse in the traditional union
labour laws sense and my wife says that bedbugs are
even in jury rooms now and harder to get rid of
than cockroaches and I tell her once you read Kafka
you can never get rid of him so that she wants to
know what Kafka has to do with anything which makes
me think we may be coming from different places
and that hers is Paris because she loves the wine
and pastries and old architecture that should
fall in on itself, but never does.

Bowling Green Buddy System

You could tell his wife was long gone
the way he walked into the store to make
his order and they expected him.

At the pizza place.
Every Friday night.
His dog ordered to sit in
the backseat, but sitting up front
to watch with excitement
once he was gone.

And how the man returned to the car
with his pizza.
Let the dog smell the box
and run in circles with excitement.

So that you just knew they shared
that pizza every Friday night.

In front of a television
that couldn’t stop lying,
but never mattered
anyways.

A Bowling Green buddy system.
After the nearby Corvette museum
fell in on itself and started selling tickets
to the sinkhole.

Both could be dead now.
The dog was old and the man was older.
They keep making pizzas as long as people
order them.

 

Ryan Quinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his wife and many bears that rifle through his garbage.  His work can be found both in print and online in such places as: Evergreen Review, The New York Quarterly, TheSongIs.., Cultural Weekly, Red Fez, and The Oklahoma Review.


Image by Nils Dardel (1888-1943) – dardel.info, Public Domain, https://commons.wikimedia.org/w/index.php?curid=41044350

Three Poems by Dwayne Lawson-Brown

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The Thing about Mornings

I’ll never forget

We slept

Splayed on memorial benches

Morning dew falling on locks like overgrown caterpillars

Crawling to crystallized captivity

Your smile

Sunrise evaporating what moisture remains

I won’t always remember the night

But tucked in the grey folds

Your hips play crescent hillsides

The sun peeking from behind your lips

There is something unforgettably mystic about you

This

A marvel as baffling as frost flying through a cloudless Sunday brunch

As timeless as each second spent in your presence

As infinite as the space between

For every coat of dew fallen on a night forgotten

There is a cherished morning

Cleaning cobwebs and evaporating what moisture remains.


When You Are Lonely

go to a restaurant
become a regular
don’t sit at the bar
minglers roam that pasture
grazing on fresh meat and ripe fruit

table for 1
in a normally busy section
make friends with your servers
tip them well
in the midday gold rush
you are a flash in the pan
shimmering in a river of entitled fish
say please even though they are paid to take your order
thank you is the cherry on top of a meager salary
tip them well

when you are lonely
don’t sit facing the door
avert your gaze
more hope is lost when seeking an exit
every glance a stolen breath
a wasted beat that could have been used thinking about
paying bills
a potential vacation
that book you’ve been meaning to write
…ahem…
Read

when you are all nerve endings and thumb tacks
visit a restaurant that knows your flavor
although it is your servers job to be cordial
you will be single far too long
to turn down forced kindness from strangers

So We Chase

 

Our great-great-grandparents wanted to escape
So they chased freedom.

Our great-grandparents wanted their rights
So they chased equality.

Our parents wanted heaven
So they chased the high.

We want it all…

So why does it feel like we are standing still?

 

Dwayne B! aka the “Crochet Kingpin” is a DC native poet, activist, breakdancer, and fashion designer. He is one of the hosts of DC’s longest running open mic series, Spit Dat DC, as well as poetry host captain for Busboys and Poets (450K location).

In addition to featured readings at every Busboys and Poets location, SAGAfest Iceland 2015, Spirits and Lyrics NYC and ManassasWoolly Mammoth Theater, and the C2EA “We Can End AIDS”, Dwayne’s short form poetry prowess led him to win the Best Haiku Award at the 2011 National Underground Spoken-Word Poetry Awards (NUSPA). His work to increase HIV awareness through spoken-word garnered recognition from the Congressional Black Caucus Foundation, BBCAmerica, the Discovery Channel, and The Washington Post.

Ultimately, his goal is to force his audience to feel. He tends to meet goals. When not documenting his life through poetic meter, he can be found on the  metro making scarves and hats, or singing karaoke.


Image by Sudha.ghanta – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=60142670

Two Poems by Jacquelyn Bengfort

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Sea Monster

A secret: all the oceans are one ocean
And the ocean looks the same everywhere.
Nevertheless, let us praise the white hour,
When the depths disappear and the sea
Becomes a rippling sheet under spun sugar skies.
The white hour, when sailors grow quiet
Thinking of infinity, or thinking of whatever
Is to eat on the mess decks tonight.

The ocean looks the same, worldwide,
And after white comes slate blue, then black
And star-pricked, and praise be the trail
Of bioluminescent cousins of our ancestors
Glowing silent behind the ship, sometimes
Leading stray helicopters home to roost.
Sailors read their charts, dead reckoning
Under red lights, faces carnelian and perfect.

It is one ocean, but you cannot know it, you
Should not trust it; it aims to swallow you; it will.
But still, all praise to the water in its vastness.
Remember a night that the lookout heard whistles
And for hours we looked for people in the waves.
And for hours we found nothing, turning slow circles,
Lowering boat after boat. We doubted the lookout.
We ended the search. She demanded to know:

Well, then, what did I hear?
                              I heard something.
                                                     What did I hear?

Originally published in A Common Bond II: An ASAP Anthology

Great Bitter

Fifteen ships sailing northward and slow,
Full of eggs and fruit and raw cowhide
And the plastic toys that outlive us all,
Forced to anchor in the Great Bitter Lake.
1967. The Six-Day War. The Suez Canal,
Stoppered by scuttled vessels at either end.

Call it the Yellow Fleet—the sand, you know.
Shipboard life is routine. It seemed a holiday at first:
Organizing movie nights and boat races,
Designing stamps that Egypt honored. But in time,
Crews were consolidated and men went home,
Their vessels shrugged off and left in the desert.

Think now about the sayings we have for ships.
For example, how they pass in the night.
How uncomfortable, then, these beasts must have been,
Bedfellows for those long years. Little wonder too that,
Unused to such a committed life, anchored
in place, they let themselves go.

I want to help you understand
How like a body is a ship, how ships decay.
Only two, Münsterland and Nordwind,
Arrived home on their own engines, and
That was 1975. Which leads me to this benediction:
Ashes to ashes, steel to rust.

Originally published in A Common Bond II: An ASAP Anthology

 

Jacquelyn Bengfort lives in Washington, DC. She has received fellowships from the DC Commission on the Arts and Humanities and the Martha’s Vineyard Institute of Creative Writing, and is the author of the chapbooks Navy News Service and Suitable for All Methods of Communication.


Image by Eugenio Hansen, OFS – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=56425754

Two Poems by Mike Maggio

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Neoplasm

Sounds like an art movement —
Neoclassicism, for example.

But this is no art form.
This is a biosphere of portentous possibilities.

Tubular, twisted
and prickly papilla

what sculpted you
into these neon lesions?

what possessed you to blossom
into these bright red lumines?

this free-form pneumobilia?
this post-modern, malformed phenomenon?

Alas, this is no still life
no portrait, no stippled silhouette

Just a surreal canvas
of contiguous protrusions

a fauvist specimen
of aboriginal abnormalities.

 

Poem for Joe

Your death has touched me
in ways I can’t express.
The statement on Facebook
stark and grim:

Joe Campo:
October 9, 1953 – March 31, 2019.
A statement so simple
and yet so complex:

a jumble of abrupt abstractions.

Dear cousin
I haven’t seen you in maybe 50 years
and yet I have journeyed with you
through your personal hell:

the surgeries, the chemo packs
the unrelenting hope.
And, through it all:
the symphonies, the opera,

the hikes through the untouched forest.

So brave. So stoic.
As if life itself
were a muddle of paint
on your very public canvas.

I remember our youth
that time we climbed the tree
at the bungalow in Long Island.
A vague recollection and yet:

the image clear as crystal.

Death is selfish.
It robs us of all but a twinkle of memory.
And yet your memory scintillates
throughout our lives

despite death’s most greedy grip.

Mike Maggio has published fiction, poetry, travel and reviews in many local, national and international publications including Potomac ReviewThe L.A. Weekly, The Washington CityPaper, and The Washington Independent Review of Books. His novel, The Wizard and the White House, was released in 2014 and his novella, The Appointment, was released in May 2017.  His newest collection of short stories Letters from Inside, will be released in October. He is a graduate of George Mason University’s MFA program and the Northern Regional Vice-President of the Poetry Society of Virginia. His web site is www.mikemaggio.net.

Image by —=XEON=— – https://www.panoramio.com/photo/72122161, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=54688550.
Author photo by Yasmine Maggio