Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Notes from the Dance Critics Panel Discussion, November 2007, in which dancers and choreographers argue with local dance critics about the role and appropriateness of each other's work.
Hobbs Square, 1955, Worcester, MAAfter a photograph of Cecile Aaronson by a Telegram and Gazette photographer
The woman stands at the open windowon the day...
Cosquilla
you provided for me make-believe-come-realfairy tales tangible and new<you added texture to my paintingsgrains of heaven engulfed in color and hue
linear needs met wavy...
