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That Winter Afternoon by Michael Gushue

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In the third grade, I sat in the last row.
Chalk dust whisper down the slate blackboard.
The radiators hammered like anvils
throughout the morning. In the distance
pile drivers pounded creosote poles
into frozen ground; the frigid air throbbed
with each blow. Blackbirds chirked and shook snow
clods from firs and poplars. Cars hissed through
streets of slush and runoff as shovels scraped hard
at the gritty sidewalks. The wall clock clicked seconds.

After the last bell’s clatter, we went in pairs
to the cloakroom, shoved our arms down
our jackets’ damp corduroy sleeves
and tugged galoshes over our wool socks.
We walked in rows down the dim-lit hallway,
a tunnel where the floor’s sheen had the blur
of dull ice. Outside, the school’s frosted-over
bricks released us from school towards home.

I climbed over ragged hills of exhaust-gray
snow bulldozed in mounds at street corners,
squinted against the bright sting of the clouds’
slate-colored light. A cold wind stole into my coat.
Frigid water flooded the crosswalks and leached
through my shoes. I reached home, the door unlocked.

The downstairs was still. The blinds and shades
were drawn but ice glare leaked in from the air
outside, and dust motes hung, suspended.
Quietly, I walked up to our second floor.
In the hallway, the weak bulb dulled the gold
and white swirl of patterned wallpaper.
The worn carpet muffled my steps as I slid
past my room to the corridors’ end. Where
I found her empty bed behind the door.

Michael Gushue is co-founder of the DC-based nanopress Poetry Mutual Press. He curated the BAWA poetry reading series in the Brookland and Capitol Hill neighborhoods of DC, and wrote the Vrzhu Press Poetry & Arts blog, Bullets of Love. His books are Pachinko Mouth (Plan B Press), Conrad (Silver Spoon Press), Gathering Down Women (Pudding House Press), and—in collaboration with CL Bledsoe—I Never Promised You A Sea Monkey (Pretzelcoatl Press). He lives in the Brookland neighborhood of Washington, D.C.

Image: Txllxt TxllxT, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Still Mourning on a Foggy Morning After Grandma’s Funeral by Joan Leotta

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Clouds weep on the
Windows adding their sorrow
to my unchecked sadness.

Sun tries to dry
sky’s tears, shine through
but fog shrouds sky,

effectively blocking
any warmth from penetrating
its thick, gauzy dampness.

Dark twig hands of leafless trees
offer no comfort of autumn color.
Tears washed away all their joy.

It seems only right that
Grandma died in November,
when all nature could mourn her.

Joan Leotta plays with words on page and stage. She performs tales featuring food, family, nature, and strong women. Her writings are in Snapdragon, Ekphrastic Review, Pinesong, The Sun, Brass Bell, Verse Visual, anti-heroin chic, Gargoyle, Silver Birch, Ovunquesiamo, Verse Virtual, Poetry in Plain Sight, Punk Noir, Yellow Mama, and others. She’s a 2021 Pushcart nominee, received Best of Micro Fiction, 2021 (Haunted Waters), nominee for Best of the Net, 2023, and 2022 runner up in Frost Foundation Poetry Competition. Her chapbook, Feathers on Stone, is coming in late 2022 from Main Street Rag. She is a member of the North Carolina Poetry Society, a member and area representative for North Carolina Writers Network and on the stage side of her work, member of, and as the coastal area representative for NC’s Tar Heel Tellers and coordinates Poetry Workshops/Readings online through her county Arts Council.

Image: Viet Anh, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons

Two Poems by Nicole Scott

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WITNESSING PHOTOSYNTHESIS

My partner in
a sturdy flowerpot.

She trips the light
fantastic, into all life.

Comets arc
universes, for her.

Waves entwine like wreaths
to holidays, for her.

A sturdy flowerpot
walks out of daydreams,

volunteering to me:
This is blossoming day.

I call back to it
in sharp hesitancy

When was the last time
I let myself kiss the sun?

NEW PASTORAL

Earth’s bell rings into naked autumn;
the meadowlarks forage the bedtime of berries.
They curl their tongues in birthplaces of insect dynasties
under a starless canopy of peace—
or that is what the night suggests
until one explores closer to see the blackbirds
making a new sky, tearing each other apart.

Nicole Scott is a West Virginia native with an M.F.A in Creative Writing from Lindenwood University. She loves exploring wordplay, mythology, and sexuality in her work, while simultaneously debating if she should have another double shot of espresso. Her poetry and other published work can be found on her website nicolescottpoetry.com.

Image: Lionsleeps23, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons

Two Poems by Michael C. Davis

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Missing, Presumed Dead

The mountain fell. Ice. No resistance.
Canyon floor far below.
What would the wives know?
Crampon, piton, stance.
The cloud bellowed. Rope
Grew tight. Afternoon faded
Into night. The coombe,
The scarp, the fall.
Three thousand years
pass. A pouch. Something
other than a dream.
Tattoos on frozen skin.
Flint point beneath a shoulder blade.
Descending into shade. Mushrooms
no avail. Nor copper ax.
The scree, scruff, muscle.
No thought. Death. Enough.

The Last Diagnosis

Its back, she says, as if it is a single thing
returning like a boomerang
and she can beseech power
across the table, an unruffled pool
her hands rest upon.
Her words drop in it like stones.
It. Back. Again. As if it were alone,
and not one but three. Each entering
in turn. Like a menu. Each courses paired.
Each with its own prescription, utensil.
Kidney. Brain. Now lung, she says.
He can’t swallow.
It is only a matter of time.
A single reservation has been made.
The place-card has been engraved.
She says, you should have known him then,
like the spool of time could be rewound
and propped like a bolt of cloth in a corner,
seen at last for what it really was
instead of only guessed.

Later, she remembers words,
a favorite meditation,
a grace to introduce a service for the dead.

Michael C. Davis is a poet, classical guitarist, tanguero, teacher, traveler, reader, photographer. Retired copy editor. Resident of Falls Church, VA. His work has appeared in Gargoyle, Innisfree, Lip Service, Minimus, Poet Lore, and the anthologies Cabin Fever, Winners, and Written in Arlington. He has published a chapbook, Upon Waking (Mica Press), and a collection, Prodigal (New Academia Publishing).

Image: Kogo, GFDL <http://www.gnu.org/copyleft/fdl.html>, via Wikimedia Commons

Three Poems by Courtney LeBlanc

POEM ENDING WITH A NESTLING CRADLED IN MY HUSBAND’S LARGE HAND

Because of the time difference I wake
to a text from my husband, sent the night
before. Perched on the edge of his hand
is a tiny bird, a nestling—already feathered
but not yet able to maintain flight.
The dogs went nuts, I read, I think it flew
into the front door. I imagine my dogs,
100 pounds of fur and teeth, unaware
of their strength, beholden to their prey
drive. I felt like a Disney princess, he said,
it just sat in my hand, fluttering its wings.
He carried it to a tree at the edge of our
property, gentled it onto a branch, the dogs’
barking escalating to a frenzied pitch. The next
morning another text awaits me: it didn’t
make it. Instead of imagining it broken
between my dogs’ strong jaws, I think
of it in my husband’s hand, its small body
protected, its feathered frame safe.

BLESSING FOR THE GIRLS WITH EATING DISORDERS

because I know what it’s like to make lists of food
you’ll never allow yourself to eat, to let your fingers
trip through a cookbook, using Post-Its to mark
recipes you’ll never make. Bless the girls who see
a buffet as the most deliciously terrifying thing,
whose friends marvel at her getting seconds
and thirds, without knowing she’ll kneel before
the toilet and without a sound, bring everything
back up—the eating reversed until the very first
thing she swallowed brushes past her teeth and
kisses her lips as it leaves. Bless the girls who log
every morsel they eat, who know the calorie
count of every meal, who track their workouts
and calories and go to sleep with the dull ache
of hunger in their bellies. Bless the ones who break
the cycle and the ones who don’t. Bless the girls
who see themselves in this poem. Bless the girl
writing it, for the words reflecting in her eyes
and feeling like home.

WOULD YOU EVER GET YOUR SPOUSE’S NAME TATTOOED?
~a question posted on Twitter

We’d been separated six months and you’d been dating
someone for two months when you called to tell me
my name now graced your bicep. I looked at the kitchen
that was now only mine: the fridge with the broken
handle, the stove with only three working burners. We’re not
getting back together, I finally said. It’s a testament, you corrected,
to the years we spent together. I was wife #2 and you tell me
your first wife’s name was inked onto your other bicep.
But where will you put your third wife’s name? I quipped. I’ll never
marry again, you insisted. Years later I will spend hours
getting my entire left arm tattooed, a delicate sleeve
that my second husband does not like—he cannot
comprehend how they make me feel beautiful. I waited
seven years to remarry, uncertain I wanted to do it again,
uncertain I could. You remarried seven months after
our divorce was finalized. I don’t know where
her name resides.

Courtney LeBlanc is the author of the full-length collections Her Whole Bright Life (winner of the Jack McCarthy Book Prize, Write Bloody, 2023), Exquisite Bloody, Beating Heart (Riot in Your Throat, 2021) and Beautiful & Full of Monsters (Vegetarian Alcoholic Press, 2020). She is a Virginia Center for Creative Arts fellow (2022) and the founder and editor-in-chief of Riot in Your Throat, an independent poetry press. She loves nail polish, tattoos, and a soy latte each morning. Read her publications on her blog: www.wordperv.com. Follow her on twitter: @wordperv, and IG: @wordperv79.

Image: DomCarterTattoo, CC BY-SA 4.0 https://creativecommons.org/licenses/by-sa/4.0, via Wikimedia Commons