This poem appears in ACHE, Sibling Rivalry Press, 2017.
Joseph Ross is the author of four books of poetry, Raising King, (Forthcoming 2020 from Willow Books) Ache (2017), Gospel of Dust (2013) and Meeting Bone Man (2012). His poems have appeared in many places including The Los Angeles Times,Xavier Review, Southern Quarterly, Poet Lore, and Drumvoices Revue. In the 2014-2015 school year, he served as the 23rd Poet-in-Residence for the Howard County Poetry and Literature Society. He teaches English at Gonzaga College High School in Washington, D.C. and writes regularly at www.JosephRoss.net.
Top photo by Tomasz Sienicki, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=13380
Naomi Thiers grew up in California and Pittsburgh, but her chosen home is Washington-DC/Northern Virginia. She is the author of three poetry collections: Only The Raw Hands Are Heaven (WWPH), In Yolo County, and She Was a Cathedral (both Finishing Line Press.) Her poems, fiction, and essays have been published in Virginia Quarterly Review, Poet Lore, Colorado Review, Grist, Sojourners, and other magazines. Former poetry editor of Phoebe, she works as an editor for Educational Leadership magazine and lives in a condo on the banks of Four Mile Run in Arlington, Virginia.
Originally published in Pamplemousse 2016 and forthcoming in Water Shedding from Finishing Line Press
Watching Laziness
Pablo
Neruda says
high up in the pines
laziness appears naked.
So
we go outside
to
gawk, our hair
in
oily strands needing
a
wash, and wonder
how
she climbed
to
where she sways
in
the wind.
When
did she undress,
this
arboreal
debutante
of sloth?
Has
she always been
without
covering,
born
high in the trees
to
look down
as
we plod along and fail
to
hear the bristly
symphony
of pine needles?
We
would join her
if
we could manage
the
climb, or hang
safely
once we arrived.
Instead
we sit
watching
her freedom,
humbled
by the intensity
that
true
laziness
requires.
Originally published in The Potomac Review in 2010 and forthcoming in Water Shedding from Finishing Line Press
Beth Konkoski is a writer and high school English teacher living in Northern Virginia with her husband and two children. Her work has been published in journals such as: The Potomac Review, Saranac Review, and Gargoyle. Her chapbook “Noticing the Splash” was published in 2010 by BoneWorld Press and a second chapbook, “Water Shedding,” is forthcoming from Finishing Line Press.
Image: Pine Trees (Shōrin-zu byōbu) by Hasegawa Tohaku [public domain].
beat, and
their fuzzy bellies will push them back out.
Others I
collect, trying my best not to crush
them in my
granite hand. It does resemble
gathering
fruit, where
berries sharing a bush can be different
ages,
different phases of ripe. I toss a
few, reject them to
the dunes
for decay. Perhaps some
blue-eyed
child will scoop them
up and see
this treasure worthy
of his stolen home.
MY
Middle Age in Ocean Beach
The revolution is still alive
And inspires people of all
Ages to let loose and dance
Because everyone else is
Letting their freak flag
Fly, and I may as well
Wave mine with youthful
Pride, for there is still
Time to celebrate the
Party of life.
–the typewriter troubadour
I’ve never surfed, but I’ve boogied
on both coasts and in places between and
beyond. So, since the
adorable troubadour has
given me permission to let the “freak flag
fly,” I’ll stand on the pier and watch wave riding stunts
below while someone blows bubbles over
these hippies like the troubadour spit
wisdom from his keys. That’s
how I know that
we’re all riding tides, doing that impossible thing of
taking flight and floating
simultaneously.
We don’t waste our time on
the mushy swell that spends strength we’ll need on
the paddle back.
That’s how I know this Pisces isn’t just
a fish. I am the sea.
When I rage, and froth and fume,
respect me from a distance, but please
don’t go away. I need you
there
to tell me I’m still beautiful, even
when I’m mad. Because there
will be
mornings when I’m glass reflecting
blue—fathoms to
the bottom where my thoughts are
conchs, sand dollars, starfish, unbroken and
waiting. On balance, I
give
life so much more than
I take away.
Sally Toner is a High School English teacher who has lived in the Washington, D.C. area for over 20 years. Her poetry, fiction, and non-fiction have appeared in Gargoyle Magazine, The Delmarva Review, Watershed Review, and other publications. She lives in Reston, Virginia with her husband and two daughters. Her first chapbook, Anansi and Friends, a mixed genre work focusing on diagnosis, treatment, and recovery from breast cancer, is forthcoming from Finishing Line Press in the summer of 2019.
Image: CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=553056