Terminal Flux by John M Adams

Over the last ten years I’ve made two kinds of art: paintings and site-specific wall drawings. Both use layers of marks and geometric structure inspired by the natural...

Evolution by Gregory Ferrand

For most of us, how we assign color to an object depends on what we think the object “is” and what color it is supposed to be -- grass is green. What I now see, because I stared at it long and hard enough, was that the degree and tone of light changes the color we perceive it to be

The Substance of Glass by Michael Janis

Glass is an untamable medium, continually floating in the lingering discourse between Art and Craft. I try to control and manipulate glass dust into precise patterns, but once the work is loaded into the kiln, heat and physics take over

Histories, Heroes, and Small Moments by Nathan Loda

I grew up in the suburbs of DC, in Vienna, Virginia, and I can remember sitting in my grade school classroom enthralled by the paintings in the...

Subspace by J T Kirkland

One time when I was young my father asked me to help him in the shop by sanding some wood. I began sanding the board against the grain. When my Dad barked at me for it I threw the sanding block down and never helped him again. So perhaps it’s fitting that for the past thirteen years my work has focused almost exclusively on the natural beauty of wood.

Must Read

- Advertisement -