Jane Franklin on “Found”

Unlike a writer - who works alone until ‘ready’ for the editor - choreographers most frequently do not choreograph without another body, a human subject. Ideas are being observed and evaluated by your dancers, in front of your own public as it were, even as they are being created.

The Music/The Spirit/The Dance: Eggun Speak by Dane Figueroa Edidi

In a cabaret I am myself. There is the dangerous expectation of success of a joke, a note, or a dance, and the reality that you are naked before the audience, and have given them the right to judge the inner most parts of your being.

Musings on Tundra by Mare Hieronimus

I am trying to make sense out of the intersection of literature/narrative and dance. In the creation of Tundra, I started with a series of questions. What is it to be a woman in the world, alone?

Jane Jerardi on “Efficiency”

"How do we know what time it is, and what it feels like to be in “no time” time, body time... How come when we’re pushing hard, we think we’re getting further?"

Take Me to the River By Richard L. Dana

At the end of May I'll be going to Montevideo to participate in a collaborative project with six Uruguayan visual artists. Coming with me will be eight...