Musings on Tundra by Mare Hieronimus

I am trying to make sense out of the intersection of literature/narrative and dance. In the creation of Tundra, I started with a series of questions. What is it to be a woman in the world, alone?

Creating The Fugitives for La Rinascita

Theater artist Anne Veal writes about the creative process of writing and producing La Rinascita Theatre's new adaptation of Oresteia, which opens February 10th, 2010 at the Capital Hill Arts Workshop.

The Sloth Ensemble: how far can you stretch sound before it breaks? by JS...

A few months ago experimental musician Chris Videll approached Daniel Barbiero and me to provide new works for a drone night that Chris is curating for music...

Endurance/Suspension by Jenny Walton

My work involves the suspension of faith in science and organized belief systems; I deal with the beautiful, horrific, and sublime nature of the human body.

Jonathan Morris on The Low End

My music frequently functions like chamber music. But my music is often amplified, so while it is ‘classical’, it is also electronic.