The Body

Category

The DC Cowboys by Kevin Platte

The founder and Artistic Director of the D.C. Cowboys writes about his work with the company, their mission, and their plans.

Local Work (or not so local) by Jessica Hirst

"One of my least favorite cultural institutions here is the Auto Hotel. Auto Hotels are designed expressly for covert sexual encounters, and they’re everywhere. When you drive into an auto-hotel an attendant waves you toward a very tight enclosed parking space."

Sex and Sexuality in and out of Dance by Robert Bettmann

To the degree that we as artists prepare the audience to see the world in stereotypes, we perpetuate a society that only knows how to know through separation. Whose identity is it anyway – ours or the audiences? Whose character is it anyway?

Sharing Balance in Contact Improvisation by Ken Manheimer

Dancer and dance teacher Ken Manheimer shares his thoughts and understanding about the dance technique Contact Improvisation

Dance, Awareness, and The Feldenkrais Method® by Daniel Burkholder

The Feldenkrais Method offers dancers the opportunity to fine-tune their bodies, heighten consciousness and awareness by eliminating unnecessary habitual patterns before they become major problems.

Casey Maliszewski on Leaving Dance

"The dancer identity has many layers. Some are positive (graceful, strong, beautiful), some negative (poor, insecure, dumb.)"

Must-read

Two Poems by Kimberly Ray

WHERE HAVE ALL THE PEOPLE GONE? Another December,Another end of the roadAs I look around and wonder,Where have all the people gone? Tucked in tighter to...

Three Poems by Juliana Schifferes

Close Encounter at a Grocery Store Grayed Vans, downcast eyes Bear lumbering after cookies How have you turned bald?! Your quiet stare ceased. How dare you remain yourself! Return to...

Noah Kahan’s “Stick Season” Dives Headfirst into Who We Are and Where We Come From by Francesca Theofilou

This article is the winner of the 2022 DC Student Arts Journalism Competition. Click here to learn more about the competition. It is, indeed, the...
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