Technique

Category

The Art of Not Making: The New Artist/Artisan Relationship a review by Kate Kretz

Not long ago, saying that an artist had a production line in their studio was considered an insult. Now a production line is a proud way of life for some artists, and the new book by Michael Petry explores.

Prudence Bonds on Being Self-Taught

DC Artist Prudence Bonds discusses the good and bad of being a self taught artist.

Cindy Coldiron on Creating Cast Recycled Glass Public Art

Cindy Coldiron writes about her new public art commission, and some of the concerns specific to working with recycled glass.

A (informal/unsophisticated) Conversation on Laban’s Efforts by Cheryl Palonis Adams

Cheryl Palonis Adams explains Laban Movement Analysis so that you can understand it, and aren't bored.

Isadora Duncan and Vaslav Nijinsky

Last week Isadora Duncan (May 26, 1877 – September 14, 1927) would have celebrated her 138th birthday.

Safety Release Technique by Camerin Allgood McKinnon

Camerin Allgood McKinnon explains some of the roots and process of the modern dance technique "Safety Release".

David Koteen on Caught Falling

David Koteen writes about the 10 year process of creating the book Caught Falling, including excerpts from the book documenting the development of the dance form Contact Improvisation.

The Magnetic Fields

"I'm an aspiring storyteller, I guess. But I've realized more and more that you don't have to have very many ingredients to imply that there's a story, without actually telling it."

State of the Art: Middle Eastern Dance by Lori Clark

"Middle Eastern dance schools play upon harem-mother-goddess fantasies of adult students. One has to give credit for business savvy, but what is being sacrificed in terms of art and ethics? In a bid to take over the local market, unskilled student dancers have been sent out on behalf of the studio to perform for fees that are either shockingly below the going rate or, which is worse, free."

The Dance of Isadora Duncan by Valerie Durham

Valerie Durham describes essential aspects of the Isador Duncan technique, including historical concerns relating to the study of the technique.

Must-read

Three Poems by Stephani E.D. McDow

Cosquilla you provided for me make-believe-come-realfairy tales tangible and new<you added texture to my paintingsgrains of heaven engulfed in color and hue linear needs met wavy...

Two Poems by Brandon C. Spalletta

Daydreaming A knife and small plate left in the sinkovernight, next to some Ivory dish soaponly chosen because it was on salefor another two days,...

rabbit holes by Siskind

rabbit holes it begins with an opera mask formed in binary code i slip it on and am a p h a n t o m a master of...
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