Tehreema Mitha on “The Scent of My Earth”

Tehreema Mitha writes about her process and interests in creating her company's new evening-length work 'Scent of My Earth".

Scoring One Mutual Happiness with Uncle Funsy by Rich O’Meara

Most of the time when I’m making music I’m holding mallets or sticks. My first instrument was my older brother John’s drum set. When I was about ten...

Doing Wholeheartedly by Helanius J. Wilkins

My family never identified as Creole. We always identified as Black. Creole was an integral aspect of our lives, but we embraced it as a way of life; we didn't identify as it. As I create this work my thoughts are circling around my Creole ties and notions of bloodlines and legacy.

Reconstructing Isadora Duncan’s Marseillaise by Valerie Durham

A few years ago I was asked by a non-profit organization to dance Isadora Duncan's Marseillaise at one of their events. The problem was that The Marseillaise is a lost choreography! There are no pictures or video from performance.

Method to the Madness: Weighing in on Hip Hop Technique by Aysha Upchurch

"Hip Hop is not just a trend or fad, or young people behaving badly. It is a cultural product of 1970’s urban history. It is not something that started in a studio or under a microscope. Hip Hop began as a counter culture. "