Seeing Red: A review of Sarah Kaufman’s review of Guangdong

Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.

Vincent Thomas on “The Grandmother Project”

Choreographer Vincent Thomas writes about the development of his new evening-length work, "The Grandmother Project."

Dear Ludwig, by Diana Dinerman

Arts writer and arts administrator Diana Dinerman replies to Loren Ludwig's Open Letter regarding ballet technique being "oppressive."

Jazz Dance by Doug Yeuell

In many ways, we truly don't want to define Jazz dance; we want to live it, to feel it, to move with it.

Casey Maliszewski on Leaving Dance

"The dancer identity has many layers. Some are positive (graceful, strong, beautiful), some negative (poor, insecure, dumb.)"