Seeing Red: A review of Sarah Kaufman’s review of Guangdong
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance. ...
Read more ›Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance. ...
Read more ›Beau Finley, electronic musician and record producer answers "What is Music?" ...
Read more ›Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community. ...
Read more ›The Pinky Show -- a non profit educational project by cats -- created a video analyzing the valuation created by placing objects inside the walls of a museum. ...
Read more ›Jonathan Carrington, Executive Director of Dissonance Dance Theater, writes about the problems of white teachers bringing traditionally white dance forms to minority communities. ...
Read more ›Cindy Coldiron writes about her new public art commission, and some of the concerns specific to working with recycled glass. ...
Read more ›Jackie Hoystead writes about what she's been thinking about as she prepares for her upcoming one solo show at the Fisher Gallery: context matters. ...
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