Archiving Dance: The Necessity of Collaboration by Heather Desaulniers

"Archival policies for the field need to be developed, both to ensure preservation and performance of important works, and to encourage the necessary funding mechanisms."

The Dance of Isadora Duncan by Valerie Durham

Valerie Durham describes essential aspects of the Isador Duncan technique, including historical concerns relating to the study of the technique.

Washington Ballet’s Program at THEARC by Katrina Toews

Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.

Seeing Red: A review of Sarah Kaufman’s review of Guangdong

Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.

Studio Space Wanted: Large, Well-Lit, and Cheap by Blair Murphy

Curator Blair Murphy writes about the ways we work: Talk to ten different visual artists in the DC area and you're likely to hear about ten different working situations, from former auto body shops to corners of studio apartments.