Archiving Dance: The Necessity of Collaboration by Heather Desaulniers

"Archival policies for the field need to be developed, both to ensure preservation and performance of important works, and to encourage the necessary funding mechanisms."

Method to the Madness: Weighing in on Hip Hop Technique by Aysha Upchurch

"Hip Hop is not just a trend or fad, or young people behaving badly. It is a cultural product of 1970’s urban history. It is not something that started in a studio or under a microscope. Hip Hop began as a counter culture. "

The Dance of Isadora Duncan by Valerie Durham

Valerie Durham describes essential aspects of the Isador Duncan technique, including historical concerns relating to the study of the technique.

Washington Ballet’s Program at THEARC by Katrina Toews

Katrina Toews, Director of the Washington Ballet's program at THEARC writes about creating a real ballet training program within what has been an "outreach" community.

Seeing Red: A review of Sarah Kaufman’s review of Guangdong

Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.