Meisha Bosma on ‘Shelter’

My work is better when I create on the spot, but the disadvantage is that I usually don’t remember the choreography after it’s been taught. This is sometimes frustrating for the dancers, but we work collaboratively, and I trust them to take responsibility for the material after it leaves my body.

My Ritual of Snaphot by Kathryn Boland

No one to judge me but myself. No one to please or rubric criteria to meet. Just me, the ducks, the trees, the water, and my camera. Click. Swoosh. Quack.

Tehreema Mitha on “The Scent of My Earth”

Tehreema Mitha writes about her process and interests in creating her company's new evening-length work 'Scent of My Earth".

Endurance/Suspension by Jenny Walton

My work involves the suspension of faith in science and organized belief systems; I deal with the beautiful, horrific, and sublime nature of the human body.

Living the RAW Dream Through Kaleidoscope by Wood D

Whenever I get the chance to present my work publicly, I’m always honored and humbled by the opportunity. I’ve been working as a photographer professionally for over...