Method to the Madness: Weighing in on Hip Hop Technique by Aysha Upchurch

"Hip Hop is not just a trend or fad, or young people behaving badly. It is a cultural product of 1970’s urban history. It is not something that started in a studio or under a microscope. Hip Hop began as a counter culture. "

Seeing Red: A review of Sarah Kaufman’s review of Guangdong

Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.

Local Work (or not so local) by Jessica Hirst

"One of my least favorite cultural institutions here is the Auto Hotel. Auto Hotels are designed expressly for covert sexual encounters, and they’re everywhere. When you drive into an auto-hotel an attendant waves you toward a very tight enclosed parking space."

Fair Use Copyright Law for Artists

Robert Bettmann reports what Artists need to know about copyright law, and fair use copyright law.

Cem Catbas on Creating Scheherazade for the Baltimore Ballet

The Artistic Director of the Baltimore Ballet writes about the preparations for his company's performance of "Scheherazade", one of the great classical ballets.