“I got frustrated by the general sense of helplessness among the artists participating… they seemed reluctant to accept that changes to the art market system were their responsibility and within their power.”
Theater artist Anne Veal writes about the creative process of writing and producing La Rinascita Theatre’s new adaptation of Oresteia, which opens February 10th, 2010 at the Capital Hill Arts Workshop.
Alison Friedman discusses why one modern Chinese dance performance does not represent China, or Chinese society, but does represent our shallow understanding of world dance.
Bourgeon’s mission, through our online publication and community initiatives, is twofold: to increase participation in the arts and to improve access to the arts. Bourgeon is a project of the not-for-profit Day Eight.